Traditional sign shop material / Field guide

Bitumen pigment · oil-base coating

Asphaltum Varnish

A dark liquid with a remarkable range—from warm gold glaze to opaque black. Built for reverse glass, glue chipping, antiquing, shading and resist work.

Glass workGold leafResistPatina
Read the shop method
One-pint can of Gilder’s Asphaltum Varnish from Letterhead Sign Supply
Gilder’s Specialty Products
Made in U.S.A.
1 U.S. Pint
01 / The material

One liquid.
Four depths of tone.

Asphaltum’s color is controlled by film thickness. It begins as a transparent golden glaze and deepens through copper and burnt umber before becoming black and opaque.

GoldenVery thin glaze
CopperMedium coat
Burnt umberHeavy coat
Opaque blackVery heavy coat
02 / Glass work

Use it with intention.

On the back of glass, asphaltum can serve three distinct jobs: a resist for chipping or frosting, a transparent darkening glaze over leaf, and a protective back-up behind gilded or mirrored work.

Choose the job first

Decide whether the coating is acting as a removable resist, a shading glaze, or a permanent back-up. Each job calls for a different film thickness and finish.

Prepare spotless glass

Clean and degrease the working face completely. Residue can telegraph through gilding, interrupt adhesion, or pull the varnish when masking is lifted.

Brush the resist

Cover every area that must be protected during glue chipping or frosting. Screened or brushed work should be checked under strong light; fill pinholes and missed spots with a small brush.

Complete the texture, then remove it

After chipping, sandblasting, or frosting is finished, take the asphaltum off the glass before moving to the next decorative stage.

Build shading in thin passes

Float the darkening liquid over leaf to model corners and deepen tone. Several controlled films give more command than one heavy, muddy coat.

Back up gilded or mirrored work

Brush asphaltum behind the completed decoration as a protective backing. Traditional shop practice often calls for two coats where the back needs greater durability.

Respect the solvent rule

Solvent-based coatings can soften asphaltum again. If another solvent paint must cross it, isolate the asphaltum first with a shellac barrier and test the complete system on scrap.

Allow a generous cure

Bituminous varnish may remain softer than a conventional hard enamel. Give it time before trimming or overcoating. Historically, turpentine or mineral spirits were used for thinning and cleanup.

Keep the old bench discipline

Callingham’s 1871 advice still makes sense: keep the dark layer from dulling the gold, and wait until the coating has hardened before trimming letter edges clean.

03 / Letterhead catalog

Materials for the back of the glass.

The asphaltum listing and the closest companion coatings in Letterhead Sign Supply’s catalog, organized by their role in traditional sign and glass work.

17 product lines
Catalog reference
Gilder’s Asphaltum Varnish one-pint can
Asphaltum Varnish
Gilder’s black gold leaf back-up paint half-pint can
Black Back-Up Paint
Gilder’s Window Spar Varnish half-pint can
Window Spar Varnish
Gilder’s Bulletin Spar Varnish half-pint can
Bulletin Spar Varnish

Asphaltum

Resist · darkening glaze · back-up

Gold leaf back-up paints

Brushable when reduced · about 15-minute dry time

Gilders Gold Leaf Back Up Paint - Black
1/2 Pint
Gilders Gold Leaf Back Up Paint - Black
Quart
Gilders Gold Leaf Backup Paint 1/2 Pint - Ochre
1/2 Pint
Gilders Gold Leaf Backup Paint - Ochre
Quart
Gilders Gold Leaf Backup Paint 1/2 Pint - Silver
1/2 Pint
Gilders Gold Leaf Back Up Paint - Silver
Quart

Spar varnishes

Clear coats for reverse work

Gilders Window Spar Varnish Clear Coat-half pint
1/2 Pint
Gilders Bulletin Spar Varnish Gold Leaf Clear Coat-half pint
1/2 Pint

Ronan Japan Colors

Modern catalog counterparts to “black japan”

Ronan Japan Color — Drop Black C
1/2 Pint
Catalog listing
Ronan Japan Color — Refined Lamp Black
1/2 Pint
Catalog listing
Ronan Japan Color — Solid Covering Lamp Black
1/2 Pint
Catalog listing

Enamel reducers

For 1 Shot and Ronan enamels—not asphaltum

1 Shot Chromaflo Reducer ZZ6000
Quart
Catalog listing
1 Shot High Temp Reducer ZZ6002
Quart
Catalog listing
1 Shot Low Temp Reducer ZZ6001
Quart
Catalog listing
Ronan High Temp Reducer R-724
Pint
Catalog listing
Ronan Low Temp Reducer R-722
Pint
Catalog listing

Availability changes. No out-of-stock badge appeared for the six back-up paint listings in the final September 24 catalog pass; the Silver Quart showed conflicting availability earlier that day. Letterhead listed no turpentine, mineral spirits, or bitumen products. Ground-shipping restrictions apply to solvent coatings.

04 / Long history

From natural bitumen to the sign shop.

1871

James Callingham’s first trade manual devoted to sign writing records japan black as the standard dark backing for gilded glass letters—and the careful bench habits that still matter.

Asphaltum, or bitumen, is a naturally occurring dark hydrocarbon. Ancient builders used bituminous materials for waterproofing and construction; painters later prized their transparent brown-black depth. Natural gilsonite from the Uintah Basin became a notable American form, identified in the 1860s and marketed at scale by the late 1880s.

Historic artists prepared asphaltum in more than one way. Some recipes dissolved it in turpentine and combined it with drying oil, resins, balsams, or wax. Others heated it first, then ground the residue into oil. Natural Pigments’ review of Mérimée and A. H. Church shows why the distinction mattered: raw bitumen could remain soft, stain nearby paint, and move on the canvas.

The nineteenth-century glass sign writer more often reached for fast-drying japan black. Callingham advised separating that dark backing from the leaf when it dulled the gold, then waiting until the coating hardened before cutting the edges crisp with a small chisel and straightedge.

Modern reverse-glass shops give asphaltum other jobs: removable resist for glue chipping and frosting, shaded warmth over leaf, and protective backing behind gilded or silvered work. Hand Lettering Forum archives also record screen-printing the resist, hand-filling missed “holidays,” and isolating asphaltum with shellac before solvent paint is added above it.

Front view of a Gilder’s Asphaltum one-pint can

Letterhead Sign Supply listing

Gilder’s Asphaltum

A quick-drying asphalt-pigmented varnish for professional sign painters, gilders, pinstripers, faux finishers and antique restorers.

Container1 U.S. pint
OriginMade in U.S.A.
Listing statusOut of stock

Out-of-stock status was observed September 24, 2026, and may change. Flammable product; restricted to ground shipping.

Check Letterhead listing